slow town records has really picked up the pace this year, delivering essential 12- singles from riccio and qx-i, amongst others. here, they round of 2014 with an ep of positively edible deep house from fouk man hans peeman. in typical peeman fashion, there s plenty of soul to the liquid beats and rich chords of -prologue-, while -monologue- is an attractive saunter through classic detroit deep house with the restless energy of a chicago production. mr k-s remixes the title track, delivering a heavily percussive version that sounds like a plea to head towards the dancefloor, pronto. a touch darker and altogether heavier, it offers an excellent alternative to peeman s eyes-wide-shut original.

beautiful advanced electronix tracks in the new testtoon release! oubyss sqm part ii is 1 half of the sqm album release split into two parts. part 1 saw the light in june 2014, and was equally stunning. stylistically on the same plan, sqm part ii again delves into abstracted melodic and harmonic grandiosity, counterpointed with integrated blurbs of noise and static.

the ever restless baio will make his club mod debut very soon in the shape of a two-pronged pitchfork that is on & on & on & on/missive.

limited 2018 repress
stop…press…an extraordinary radio slave donation for running back! the man like matt edwards took care of a matter near to his and our heart: an ep dedicated to the crafty dj duke, his infamous power music label empire and those massive sounds dat ruled di sound factory nation. one side holds a modern track in an old fashioned style of lovin (quote freely adapted from courtney melody): think rs >tantakatan< straightened out. >thats all the record do? yeah, bitch, thats all the record do.< special thanks go to omar-s for clarifying these matters once and for all. already huge with big room boys Âme, natty dread josh wink and a few others. surprise, surprise! flip for a portrait of a young and restless todd terry circa 92 slipping on his bathroom rug while listening to some x-102. dirt mcgirt! those 3 people out there who still buy audio plastic might be delighted to find out that they get a special bunch of bonus tracks: super heavy efx sirens, street noise and soothing rain sounds. can you dig it?

what happens if such restless souls like akiko kiyama and laurine frost start to melt their sounds together? the result is that one of the most interesting piece of art of the forward-thinking techno music becomes alive. ’through the mountains ep’ is a golden section of their utopistic musical imaginations, influenced by classical minimalism, live instruments and the ordered chaos of contemporary techno and found sound elements. all the four tracks contain their recognisable fingerprints. the gently and respectful collaboration is proven by the perfect balance of chemistry. in the collage of their musical layers every tiny sound and every tiny breaks have its own weight and meaning. waving and playful structures, exciting journeys on the edge of reality. 

vent goes dark and deep with this fourth release, which so far has received nothing but great reactions. following the success of tolga baklacioglus raw message in *restless punk*, this time arbiter and tolga teams up for a split ep in order to further define the essence of vent.

limited 99 cent deal - last copies left !! be fast !!
we are proud to present the next thrilling release by co-owner pherox on slash! tims second ep named dmf-9-electric is a mixture of deep soulful and floor shaking electronic music. we call it the gentle side of techno, no wonder that one of the hottest artists in this scene john daly delivers a cracking remix to this 4-track ep. lets start with the first track road days which is dominated by deep rolling basses and floating voices creating a hi-tech energy peak time track. once you get the sudden effect of it, its gonna reveal the true freak in you, give it a try! the other title on the a-side called rude vox is a dark dream of liberty and a long voyage into the night. its clothed in moonlight and restless in wanting where the voices of children paired with strings, a ghost precedes us, a shadow follows us - each time we stop – we fall. the b-side starts with john daly s rework on the track shelter. the remix is a dark miracle of shiny blackness which has his own magic, while the sun sinks low, an h-bomb in reverse. john takes the key parts from the original track and raises them into a new context. techno-soul in its purest form. we, for one, are in ecstasy enthralled. can we convince you to smile? the whole ep ends up with the original one from pherox. the circular beat of shelter with its loaded flashy effects will heat up any dance floor for sure. boys and girls, its getting hot in here so take off all your.. or just keep doing whatever you want!

n5md is proud to present fall into fire, the new lp from dag rosenqvist. fall into fire is rosenqvists first album since the self-inflicted conclusion to his jasper tx nom de plume in 2013 with the stunning an index of failure lp (handmade birds). while no longer veiled behind a moniker rosenqvist fittingly presents his most personal and arrestingly raw release to date. there are threadbare echoes of loss, fleeting moments of rage, and a restless undercurrent of remorse that rosenqvist presents with few concessions. fall into fire finds rosenqvist at his most achingly radiant while displaying some of the most contrastingly vast passages of any of his discography. fall into fire was mastered for maximum dynamics, all perceived silence is intentional. the vinyl lp includes a download code.

second chapter on horizontal ground from your favourite misleading named artist. a restless paranoid journey through your deepest fears, into the abyss, heading straight to a complete catharsis. there is no way out from the cerebral maze of alienation.

the hyper-chromatic music of matt cutler marks him out as a true impressionist, as lone, he drizzles brightly coloured melody through his tracks with all the reflexive skill of a master painter daubing inks and pigment across paper. on cutlers fifth lone album, reality testing, released on r&s, he sends notes and chords rippling delicately into space before allowing them to disperse, each oozing beautifully away into the background fabric of the music. combined with rhythms that ebb and flow, shifting from propulsive club constructions to beatific coastal hip-hop, it is a sensuous, immersive, heady experience, and easily his most accomplished and selfcontained work to date.
the double vinyl comes with download code for the full album.

second aiken 12inch for semantica. four excellent subtle yet powerful & hypnotic techno cuts.

new style lesson by rebekah on cult figures, four tracks for the most restless soul of the dancefloor.

after his first release on reference at the beginning of 2013, jack murphy delivers again a great quality ep. a restless trip through hypnotic atmospheres, this time characterized by a more mysterious dark accent.

chilli space 10 is a compilation of the freshest sub-alpine electronic music from slovenia. after 12 years and 9 cd-only releases, the tenth installment has finally found its way onto vinyl! the double lp album contains stylistically diverse music from slovenias electronic music underground. the compilation features exclusive tracks by artists such as ago tela, octex, iturk, electrosaurus and others. a must for lovers of deep dubbed-out electronic music!

nultd001 come signed by the argentinian alexander d niel, he starts with ellie, a world of drums, cymbals and synthesizers in a restless and powerful technos key. meanwhile, the swedish mattias fridell s remix shows us a smart and elegant construction of technoid rhythms performed in a depth and accurate way. kingdom is the second original track of alexander d niel, and where he shows his most aggressive side with a wrenching techno as a continuous sound storm. ungars remix respects the original tracks style but it breaks its rhythm giving more depth and versatility to a techno packed of groove.

a new perspective of italian underground techno sound stands front of us. all inn black represents the first triple vinyl artist album of the sublabel by giovanni verrina and germano ventura. la terra trema is a musical marriage of restless souls and naughty hearts on the shrine of repetitive illusions. 13 tracks from the darker side, straightly to dancefloors

nice price deal !!! new a made up sound! following up on the frantic start-stop action of the ahead/endgame whitelabel from earlier this year, number 6 in the series features two expansive semi-live trips. after hours offers a brooding alternative soundtrack to that most underrated of scorsese movies, while what preset sounds like a launch into stratospheric jazz territory by way of some restless broken hardcore shuffle. highly recommended!

das junge duo aus wolverhampton gewann die herzen und füße der dance/electronic-community mit nur vier eps, irren remixes von machinedrum und bibio und ausartenden live-shows. mit after dawn erscheint einer der stärksten tracks aus dem album in hervorragenden remixen von jimmy edgar, bibio (warp) und dem berghain dj- und produzenten-team barker & baumecker.

aisling and the haze is the new trio assembled by the prolific and ever innovative uk dj/producer phil asher (restless soul).together with vocalist aisling stephenson and musician/producer dwala, their debut single occupy the world is a statement of intent – a message in the music - a call to awareness while we dance.

its useless to play lullabies for those who cannot sleep! bebettas new ep try to sleep guarantees with cold feet and monster sneeze a restless night. rich vom dorf keeps you awake with a smell of his sliced toast remix.

raw analog house music, pressed on white coloured vinyl

kerri chandlers madtech imprint pushes forward this may with a three track single from hotly tipped london duo no artificial colours, entitled * crying wolf*

natch ltd is back! this is the time for analog people to bring back precious memories of dark environments banged by the sharpest restless techno. aubrey and unam zetineb remixes put more weight and flavours to this strong record, made with particular affection for massive beats.

das junge duo aus wolverhampton gewann die herzen und fueße der dance/electronic community mit nur vier eps, irren remixes von machinedrum und bibio und ausartenden live-shows. jetzt erscheint ihr debuetalbum auf ninja tune

uneasy me signals the first artist to feature original music on art of vengeance. australias electronic export, christian vance, delivers a title track with both tension and dancefloor romance. pursuing a restless path, the rhythm and melody come together like an intimate rendezvous caught in the headlights late at night.

this december is the birth of singular records, marcelus own label, based in paris.

2x12 lp inclusive cd version + 2 bonus tracks.
ulfo is the debut album by map.ache. a selection driven by determined chords carrying tears of optimism. presenting 10 tracks as shelter for hope, decorated with the shadow of a white rose in a mirror of silver.

bangin uk prime time techno !!

eine schroffe gitarre und ein nervoeses klavier hetzen angestachelt von einem treibenden schlagzeug durch >im not me<, der neuen single der white rabbits. nach einer verschnaufpause geht die nervoese hatz weiter, bis beiden die luft ausgeht und >im not me< ins ziel taumelt.

a breakthrough artist features on this, the new 7th sign, which also sees conforce deliver a slick remix. here the label once again unearths some new talent. leeon, a glasgow-based dj and producer, uses his debut to serve up three beautiful slices of the proper machine soul we ve come to expect from 7th sign. conforce is the gifted and restless producer from terschelling, holland whose deep, pulsating, atmospheric, expertly-designed pieces of music have also appeared on respected imprints like clone, delsin, meanwhile and rush hour.

>rispah<, the sophomore album by the invisible and their first for ninja tune, is >a love letter to grief< following the passing of singer dave okumus mother, is imbued with an inevitable melancholy but defined by a sense of hope. throughout, the band reveal their rich creativity and musicianship. echoes run through these songs of african music (including beautifully-woven-in samples of the singers from okumus mothers funeral), psalm tones and devotional music, in a silent way-era miles davis, hints of minimal classical composers such as steve reich and the wilder more psychedelic end of hip hop and related electronic musics.
nothing is ever included for the sake of it, no attempt is made to patronise or sell the audience short. it is a record brimming with real emotion and restless intelligence, a record to get lost in.
double 12 inch vinyl in gatefold cover, including insert and code for free mp3 download.

the restless berliners are back to bring some sun back to the dancefloors. fargo is a real open air hymn which you can only love or hate. an oldschool organ bassline on a minimal house beat topped with strings and disco vocals. this must be a hit. save yourself i a little bit darker but also a pretty strong track with a piano hook that you wont get out of your head too soon. the b side takes it back a notch with the more laid back tracks now youre gone and the fargo remix from the young and talented mass digital from serbia. thats proper deep house here on keno records.

what we have here is an album which is, if i may say, relatively positive and generally good for home listening. this album was recorded in about 10 weeks in a living room (the sofa being my bed), with restless swollen eyes at dusk and a love/hate relation with my machines, microphone and electric guitar.3 machines gave up on me during the making of this lp.i hope you will like it. tolga.

heres the final 2nd part of sascha dives restless nights album remixes. after frank roger and alix alvarez appeared with their own versions of sascha dives music on the first part of this remix series in 2011, the 2nd part will be acclaimed in equal measure. on side a1 chicago house legend halo feat. blakkat transform sascha dives original summer madness into a straight club track with a groove one just can not resist. on b1 willi graff and tuccilio deliver their interpretation of underground railroad - yet another dance floor bomb! a true shaker. were loving it!fred p. again keeps it dark with his interpretation of get out of the ghetto blues.deep,deeper,the deepest. check it out. hips dont lie!

the title track on tychos long-awaited dive lp is just that — a ripple effect record that sounds like three songs in one, as if sound/graphic designer scott hansen just discovered progrock and decided to apply its winding passages to his own singular blend of sinewy synths and bleached beats. its also the first tycho song to feature a prominent guest musician, guitarist zac brown, in this case, who paints outside the lines of hansens halcyon hooks with restless rhythms and monorail-like riffs. the >dive< single fleshes things out even further, as keep shelly in athens and memoryhouse — both rising underground artists in their own right — cut hansens cloud-scraping composition in half and slow his cruise control chords down to a crawl. the misty vocal melodies are still there, but they are now floating through an embryonic assembly of jittery cicadas, rusty gears, and lean loops that are both welcoming and a bit woozy. the sonic equivalent of staring at the sun for too long, really, or two sides of the same cracked mirror.

after only a tiny time-out cómeme can t help but remain restless and return even more internationalist than before, since this ep brings together artists from moscow, medellin and cologne, as well as guests from spain. its a collection of tracks that translate comemes ever quintessential voltage into different musical temperaments, drawing the bow from infectious semi-electronic body music and cumbia-inspired rhythm affairs to detached pitch-frenzied sequence-disco and a sphinxy creature with fanfares and whiplashes.

joel boychuk aka hobo takes us on a tour of the iron triangle this winter, when the canadian producer releases his debut album on minus - a destination point for the techno artist whose very name embodies both the restless spirit of his productions and his journey from being one half of the former minus duo tractile, to being a recognized star performer in his own right.

remixes of the track skill shot, which is included on the >20 - two decades of hardfloor< album and originally released on the album >all targets down< from 1998. versalife is a restless producer from terschelling, holland, who strives only to combine digital and analogue together into atmospheric, well designed pieces of music.with such an honest mission, its no wonder the man known as boris bunnik aka conforce has had continued success recently, with a number of singles, eps and albums coming on respected imprints like clone, delsin, meanwhile and rush hour.pip williams from the uk began djing in his ear teens, making electronic mix- tapes for friends in the safe confines of his bedroom. after gentle persuasion from his fanbase, live gigs followed including residencies across london and gigs in europe.a foray into music production was a logical progression.having run its natural course after a string of successful releases, pips drive to showcase his music was still rampant.

the final of four in the inertia series with four new exclusive techno tracks. the final hurrah for ann aimees inertia compilation sees four modern techno heavyweights add their exclusive sounds to the fold. recent album stars skudge are as economical yet efficient as youd expect with their booming >pollution<, before conforce designs yet more lush sounds with his deep technoid cut >when it appeared<. restless romainian cosmin trg confounds expectationst again with his rusty, rolling cut >plaisir interdit< before fachwerk co-founder sascha rydell gets a little spaced out on his kinetic and melancholic effort, >rainy days<. stand out on its own, but peerless when paired with the other three parts, inertia 4 ends a special project indeed.

limited to 250 numbered copies, vinyl only - no digital release!
the first rose records release presents tracks by luvless, m.ono and martin hayes. while luvless >surrender< is playing shiny chords, adding vocals promising love and a restless groove, m.onos >love pass u by< combines a modern beat structure with some oldschool funk flavor. martin hayes rearranged and slowed down some 80s cheese and added chunky drums and filtered vocals.

what do you call musicians like com truise? he seems easy enough to pin down—throw out some words like nostalgia, synth-wave, eighties, and electro-funk and you will scrape by—but to be truly insightful about his music is tough, because art that is so blatantly referencing certain things in a certain way while also making them weird and new and unique is confusing. how do you classify something that is so obviously both vintage and current but is too fun to call postmodern? awesome is an option. especially when it sounds like you are driving the knight rider car through thick clouds of nitrous oxide, like >fairlight<, the title track from truises new single, which previously appeared on an iso50 comp called dry waves and also has this jarring, falling-all-over-itself middle section that prevents you from trancing out too hard. >beta eyes<, the track that follows, is even more restless, with a drum pattern that is fidgety and clustered, kicks and snares fighting each other like two drum and bass heads arguing over an atari remote. >polyhurt<, a narcotic, almost ballad-like closer that inevitably leaves you thinking, >now, how the hell am i going to describe that to someone?< the vinyl exclusive cut >colorvision< could be truises most dancefloor friendly track yet.
limited to 500 units worldwide (200 in europe).

here are the long awaited remixes of sascha dives >restless nights< album. >jam sessions #1< is the first out of two 12s that will be released on deep vibes. on a1 french deep house grandeur franck roger comes up with a supreme dark but warm remix of >drums of the jungle<. a2 features a remix by nycs sole channel boss alix alvarez. his remix of >the jam< is sexy as hell and works perfectly on the dance floor. on b1 sascha dive gave his 2010 ueber-hit >jus groove< a treatment. the new >dub version< is just as catchy as the original and works with full effect

etruria beats latest release has been done by the new neapolitan talent duo viesse. there are two original mixes: >secrets< and >walk<. >secrets< is the journey track made of steel grooves, stabby chords and strings, everything moving on a restless bassline. >walk<, instead, is a perfect combination between airy chords and heavy drums, flowing in a killer groove crowned by the vocals ... walk!! c mon!
>secrets< has also been remixed by arnaud le texier, owner of safari electronique, who has his latest releases on cocoon and bass culture. the last track on the vinyl is >slowly<, that has been remixed from tennis, aka manfredi romano, owner of life and death, who has given a peculiar touch at 116 bpm to the release.

the partnership between artists john selway and dave turov spans not only across the atlantic, but it has also resulted in a series of successful colla-borations on their label csm. the debut release on the interpull imprint showcases their signature no-nonsense, dance? oriented techno. expanding on their previous work, >choo got it ep< carries with it a modern take of classic in? uences from chicago, detroit, and berlin. this release is marked by just as much stylistic skill as it is by their technical skill: both selway and turov put the highest production values possible into their releases. the a-side of the ep, >choo got it<, grooves hard with an upbeat rhythm and a bouncing bass line that refuses to let up. combining funky house elements and a raw driving techno pace, this is the kind of track that either gets you on the dancefloor doesnt let you off once you hear it go on. the b-side, >way to my heart<, presents a darker take on the ep with plentiful bass and restless energy. it provides a cavernous sound thats happy to shake your techno cathedral of choice

remerc is no new face to the scene. he has been active for quite some time in the german techno scene and has recently remixed butchs track >muskatnuss< on the trapez ltd 100 anniversary compilation. he had his breakthrough in 2010 with the track >tiny calf< which ended up on the cocoon compilation >party animals< mixed by marco carola and nick curly. remerc opens his release with >ruhewolf<, a restless funkedelic rocker with a beat that juggles elements in a loose and totally cool way. the track is spiced up with elements of surreal bliss and could go on forever were there not the limitations of the vinyl. on the flipside we find an hanne & lore remix that tightens and fattens up the beat and pimps up the basslines. adding some twisted sounds ... making it a clubber par excellence. >just a bards tale< is a unique remerc track and stands out from all the productions he has done so far. here new wave coloured edgy vocals meet a post-detroit string-chord arrangement. sounds adventurous and daring? well it is to some degree... but recall >no more words< by carl craig from 1991 but executed in a dead modern way.

spring 2006 was both cruel and exciting. radiating hot helsinki nights, too much light and vivid, restless dreams about music. while chucking down a glass of cheap brandy in a local bar the idea finally materialized: lets start a record label! a label that would bring people together. proud people. people thinking of music. people doing their own thing in their own way in their own basements. and most importantly, people who understood the meaning of space between notes. after 5 years, 16 records, 85 tracks and 44 artists from 13 countries it goes without saying that those restless dreams became reality. and so did the music.

nice price deal !!! nice price deal !!! bangin 3 track house sampler

patrick rasmussens musical worldview goes beyond the adjectives that are continuously used to describe his music - eclectic, accomplished, experimental. he is a restless journeyman who, as raz ohara, has sojourned in collaborations with electronica luminaries such as apparat and luomo, and has penned solo work of electronic downtempo, acoustic, folktronica, and various points between. most recently, under the guise of the odd orchestra, he changed course again and crafted two albums, raz ohara & the odd orchestra and ii, both explorations of hazy, pastoral, avant-garde pop, grounded by rasmussens soulful and heartfelt vocals.

track 5, a previously unreleased single meant for >the days of mars< album, but ultimately deemed out of place on the record, begins with the slow reveal of a repeating electronic ring atop a rising, falling, sine-curving synth. with each additional layer—a piercing, urgent synthesizer, a deep, continuous, ever-expanding rumble, the sound of a guitar, awash in reverb—the atmosphere thickens. its both restless and placid, anxious and tranquil. just over ten minutes in length, the track closes with a chorus of high-pitched synths that fade to a sparse, darkened end. this 12-inch, very likely gonzalez and russoms last, also features a remix from Âme, comprised of germanys kristian beyer and frank wiedemann. the house duo wholly transforms the a-side into a track so unrecognizable it seems brand new, taking it far from the introspective dreamworld to a dance party in the sweaty, blissed-out, wee hours of the morning